Painting Story

I CAN SEE Painting by Drew BrophyI CAN SEE Original Painting, mixed media on canvas board, sized 12″ x 12″.

This painting was inspired when hiking through the Grand Canyon on a SUP whitewater expedition.

Most people aren’t paying attention to their surroundings.  They see what they are told to see, or what they expect.  They follow the herd.

Somewhere along the way, humans have shut out the details, only absorbing the obvious, or what’s being sold to them through the media.

Eighty percent of the important stuff is missed by most.

This fact was evident when hiking deep into the Grand Canyon.  I was on a 16 day expedition with a private group.  Occasionally, the commercial tours would cross paths with us, usually in groups of 30 or more.  Often, they trudged right past the most spectacular sights the Canyon has to offer; perfect heart-shaped stones, eagles flying high above, ancient messages left on rock.

On one very hot day (as a commercial tour group filed right past me, missing what had stopped me in my tracks),  I looked up at an enormous canyon wall, to see handprint impressions on the stone.

It was a message left in another time, from inhabitants of the Canyon.  I don’t know how long ago those handprints were made; hundreds of years ago?  Thousands?

The ancient greeting stayed with me long after returning home to Southern California.

So I decided to create my own handprint art.

I added the all-seeing-eye.  It represents that “I Can See”, because I feel that artists are given the gift of seeing more than most others.  Seeing things in nature, in people.

This painting was given to my sister-in-law, Caroline, for Christmas.  An artist herself, she fell in love with it.

For a fresh insight on the Handprints in the Canyon, check out this post by Andrew Guiliford, who felt that the handprints in the canyon guided him to safety one night.

Handprints in the Grand CanyonLife is Good – Drew

Last year I painted PANHE to be used for the cover of The San Clemente Times Earth Day edition.

To prepare for the painting, I spent the day at last year’s Panhe Earth Day celebration and learned as much as I could about the history of the area.

PANHE is a beautiful place in San Clemente that was inhabited by the ancient Acjachmen Indians and is estimated to be about 9,500 years old.   Me, Maria and Dylan go hiking back there sometimes. There’s an ancient Indian burial ground up on the hill that’s protected by law.

One of the reasons I live in San Clemente is the beautiful natural setting of this San Onofre and Trestles surfing area.

It is the LAST undeveloped, naturally intact coastal area in Southern California.  It’s filled with wildlife that you can see while walking down the trails to go surfing.

I’ve seen deer, bobcats, coyotes and giant rattlesnakes on the trails.

Then there’s the sea life:  whales, dolphins, sharks, halibut and calico bass.  I have yet to see the elusive mountain lion, but I know they’re out there.

I find it extraordinary that as little as a few hundred years ago, this valley and San Mateo Creek was filled with thousands of Indians living off the land, calling this place home.

This beauty is under constant threat of development from outsiders, who do not know or care about its wonders.  If we can get enough people to care about the area, we can keep it intact.

The painting is meant to show how special this place is and that it should be preserved for all time.  Now, this year the artwork is being used for the PANHE Earth Day Celebration posters and advertising.

THIS SUNDAY, ON EARTH DAY, the San Onofre Foundation will be holding the PANHE Earth Day Celebration at San Mateo Campground.

I’ll be there at noon, signing posters and enjoying the native dancers and story tellers.  If you are local, come on by!

Life is Good,   Drew

PS:  The original painting was sold to a local realtor, who gave it to one of her clients as a gift.

PERCESSION 2012 painted by Drew Brophy, Uni Posca Paint Pens on 7’4″single fin retro 1970’s Surfboard shaped by Ron House.  POST UPDATE:  THIS BOARD is SOLD!  A portion of proceeds went to SurfAid’s Board Art Benefit.

(But, you can order your own Custom Surfboard Painting, click HERE for pricing and order form.)

There are 3 things that make this surfboard painting special:

1 – I’ve painted thousands of surfboards.  But this is the first where I’ve painted both sides and wrapped the painting around the rails;

2 – The proceeds are going to SurfAid’s Board Art Benefit and will provide food and water to the people of the beautiful Mentawai Islands, a surfing paradise;

3 – The theme speaks to the end of the Mayan Calendar in 2012 and what it could mean.

THE INSPIRATION:  I’ve always been fascinated by the stories of ancient civilizations.  Most people don’t know this about me, but I’m an amateur historian.  I can tell you about the history of just about any civilization with accuracy.

But I’ve never really painted these subjects until now.

The Percession painting was sparked during a recent trip to Puerto Escondido Mexico where I flew over the Ancient Aztec Pyramids at Teotihuacan in Mexico City.

A man that I met on my flight filled my head with crazy legends of the pyramids.  His stories inspired me to want to go there and stand on the top of the pyramid of the sun.

While surfing killer waves in Puerto a local there told me more stories of ruins in the jungle just outside of town.

He spoke of how the Zapotec Indians ruled the Pacific coast and built massive cities in the area around Puerto and Oaxaca.

When they put the road into Puerto Escondido they discovered a massive sculpture of the head of Quetzalcoatl, the god of the underworld.

The sculpture was so large they could not even move it. The road would have to go around it.

The Indians there believe an awakening is coming in 2012.  One man told me about strange lights he had witnessed in a valley, balls of light of different sizes and colors emanating from the horizon at super fast speeds for over a half hour, all of this sent my head spinning as I charged giant tubes.

Who were these people and where did they go?  With it being 2012 and all I could not help but let these ideas spill out onto my painting.

THE PAINTING:  The Pecession 2012 painting depicts the center of a crumbling Mayan Calendar being overtaken by the roots of the Tree of Life.  A golden snake spirals from the sky, wrapping around the surfboard. This marks the end of days and the return of Quetzalcoatl.

The pyramid on the bottom of the board represents a re-awakening of ancient knowledge.

The waves on the top and bottom of the board represent stories of the great flood and Mother Nature’s ability to reclaim the planet.

The balls of energy emanating from the calendar are spheres of light, essentially energy, our life force.

In the final days you will either be doomed to start over, or be transformed with this awakened knowledge. It begs for an answer to a question:

How have you lived your life?

Drew

*For insight on my history of painting surfboards, please Read “What makes a surfboard special – why you should buy this board” on the Board Art Benefit Blog.

This surfboard was painted for the SurfAid’s Board Art Benefit in Solana Beach, CA.  Other artists and shapers include legend Gerry Lopez and artists Phil Roberts, Spencer Reynolds, Matt Beard, Rick Rietveld, Eric Abel, and so many more great surf artists.

UPDATE ON 3-26-2012:  This surfboard painting was purchased March 2012 by collector Greg P. of Leucadia, California.

 

 

SURFED OUT is sized 20″ x 30″ mixed media on Canvas, mostly using Uni Posca Paint Pens and Createx paint for the background.

SURFED OUT is what it’s like on a surf day when the waves are so good, you surf all day.  Finally, you get so hungry you have to come in and eat.  Then, you pass out on the beach next to a fire.  It’s the best feeling in the world, being Surfed Out.

This painting was a commission for Spencer, a nine year old surfing dynamo!

His mother commissioned this painting as a gift for him.  Spencer’s been a longtime fan of mine, and I’ve painted a lot of surfboards for him and his brother and sister, all from a surfing family.

This artwork is available as a giclee print so you can put SURFED OUT on your wall, too. You can find it in my store here.

You can watch me paint SURFED OUT on The Paint Shop Episode 3 “Crusin’ to Santa Cruz” Full Episode in HD from The Paint Shop on Vimeo.

Everyone should have a Surfed Out day.  Life is good – Drew

Magazines need a great cover if anyone’s going to open it up.  I’m glad I was asked to create the artwork for So Cal Magazine’s cover for this issue.

So Cal Magazine is geared towards travelers, and it aims to show the Southern California “extreme fun” way of life.

So Jim Kirkwood, the magazine’s Editor and founder, asked me to paint something that would show the fun lifestyle we live here in So Cal.

Most of the covers of So Cal Magazine usually are a beautiful photograph of a local spot or activity.  But this time Jim really went “outside the box” by putting my colorful art on it.

I’m stoked when my clients aren’t afraid to do something different!

We went through the sketch process, and Jim was (more…)